When you have a baby with a genetic disorder, they send you to see a geneticist. Sort of like a fortune-teller. I really only had one question left for him:
January 11, by Fiction Editor Beth Hill last modified January 11, I was speaking with a friend about punctuation—what odd topics writers and editors end up discussing—and the use of semicolons in fiction came up.
Punctuation is used for clarity, for emphasis, for rhythm. To deny yourself the use of any punctuation mark is to cut yourself off from an option that might serve your sentence, your scene, or your story. With minor adjustments to most sentences, commas and colons and periods can all be made to work in place of the semicolon.
Sometimes you want three short sentences in a row, each ending with a full stop.
When connecting or separating independent clauses, sometimes you want the feel that only a semicolon produces. The use of the semicolon here shows that the parts of the sentence are related. Each sentence is valid. But the feel is different.
The sentence with the comma and the but has a softer feel, a smoother flow. But if you want to stop that flow, want to draw attention to a thought or word or event, you can use a period or a semicolon to halt the momentum of a passage or scene.
Can I say it bores the reader? Forcing the reader to pause or stop shakes him out of the stupor he might have eased into, and a forced stop calls attention to the words at the stop point. You are in fact saying, here is something noteworthy, something different from expectations.
Use the semicolon or the period to interrupt the flow. This is a useful way to break up an annoyingly repetitive rhythm. Only one way, of course. The boy wanted a dog. He hoped to get one soon.
The boy wanted a dog and hoped to get one soon. But if that connection exists, use the semicolon. Writers reveal themselves through the words they use and the way they put those words together—through diction and syntax.
I think that would be short-sighted and clearly a mistake.
Have you been told not to use semicolons or other punctuation? Have you directed your clients away from semicolons? Do you think doing so has served writer and story well?
What about other punctuation marks? Anything that distracts from the story should go, and too much of any one element is a distraction. Yes, failure to adhere to some rules could keep you from being published. Use the full range of options, but learn to use grammar and punctuation correctly and effectively.
Remember your readers and choose options that enhance their reading experiences. Write compelling fiction that carries your voice and style.I was speaking with a friend about punctuation—what odd topics writers and editors end up discussing—and the use of semicolons in fiction came up.
While a legitimate punctuation mark, the semicolon has been shunned for use in fiction, especially for dialogue. The PDF Punctuation in Dialogue ($) and The Magic of Fiction (available in paperback and PDF) both contain expanded and updated versions of this material.
_____ Dialogue h as its own rules for punctuation. Commas go in particular places, as do terminal marks such as periods and question marks. Zootopia note, is the 55 th film in the Disney Animated Canon, set in a World of Funny Animals.. Judy Hopps (Ginnifer Goodwin) is an idealistic, cheery and optimistic young bunny who's left home to be a police officer in the big city of attheheels.com, she encounters Nick Wilde (Jason Bateman), a fast-talking fox Con Artist whom she manages to blackmail into helping her solve a missing.
Lesson Plans - All Lessons ¿Que'Ttiempo Hace Allí? (Authored by Rosalind Mathews.) Subject(s): Foreign Language (Grade 3 - Grade 5) Description: Students complete a chart by using Spanish to obtain weather information on cities around the world and report .
Because most academic papers do not use dialogue, many students don't learn the proper dialogue punctuation and grammar until taking a fiction writing class. Dialogue [in writing] must have direction. Each exchange of dialogue must turn the beats of the scene yet it must sound like talk. This excerpt from Thomas Harris’ The Silence of the Lambs is a beautiful example of exactly that.