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Testar, who has long retired from public performance, appeared at short notice because of Miss O. Hamilton's illness, but she did not fail to prove that she retained all her well remembered powers. Bred in the best sacred musical school, she exhibited an exquisite taste and a delicacy of expression which many better singers of secular music often fail to give.
Her crowning effort was the lovely air, "I know that my Redeemer liveth", and the audience would fain have heard it repeated. Miss Elizabeth Turner, who had made a considerable reputation for herself in London before coming to Melbourne, was born in Chatham, Kent, in June,and was thus only a few weeks younger than Her Majesty the Queen, herself then a puling infant in the lobster stage.
Turner pere was a druggist and a clever man, with a head full of crotchets. He married, at the early age of twenty-one, a delicate wife who did not live long, but loft him with a son, Charles, whose son Charles, also, is now at the head of a business said to he the largest in London in the hands of one man.
The name of Charles Turner, manufacturer, of Black Varnish, is even to be seen sometimes in the advertising columns of Australian papers. Turner waited until he was thirty before marrying a second time, but living until 87 he came very near celebrating his diamond wedding.
His second wife - Miss Hetley - bore him twelve children, of whom the subject of this sketch was the seventh. Apparently she had brought ill-luck with her, for the family circumstances then began to be the reverse of satisfactory, and "unmerciful disaster followed faster and followed faster" until In the family removed to London, when the hand of fate stayed a little.
The bringing up of a large family offers a rich field for a man with ideas of his own to try experiments in, and the result came nearly to leaving young Elizabeth without any training whatever. But it is hard to extinguish talent, especially when accompanied by great energy of character, as in this case.
Present her older sister's pianoforte and singing lessons, the younger one listened and profited by the instruction given, so that for hours she would practise in the attics with the window open, where no one could hear her.
That she was refused to be taught drawing did not prevent her trying to draw, until the drawing master one day, picking up some of her work, declared that his pupil had much improved. French she picked up from hearing it much spoken about her; German she taught herself with grammar and dictionary.
At last she was permitted to learn drawing, and was placed first under Mons. At last it was discovered that she had a voice like a bird, pure and sweet, and of wonderful flexibility; but she had been so diligent a student and so unremitting in her practice that she could already sing well, and it was thought that she did not need much more tuition.
In fact Miss Turner never had more than about eighteen direct lessons in the whole course of her life. The first half-dozen or so of these were from Crouch, the best 'cellist of his day, but better remembered by posterity as the composer of "Kathleen Mavourneen.
Parental authority, however, armed with the prejudices of Puritanism, still lingering in England, interposed a stern "No. Negri, a father and son, well known in their day as teachers of singing, who may have been collateral or lineal descendants of the sisters Negri, who sang in England, under the direction of Handel, from to But better than any set instruction for this young and intelligent as well as enthusiastic creature was it to hear Grisi, Persiani, Mario, Lablache, Tamburini, the exquisite Clara Novello, the "divine" Malibran - in their very prime and pride.
On these models she formed her style.
In course of time the Misses Mary and Elizabeth Turner became well-known on the concert platform, singing in conjunction with stars like Persiani and Madame Sainton-Dolby, but our heroine also earned a good deal of money by the accomplishment which had been so reluctantly conceded.
She did a great deal of book illustrating and similar commissions of that kind. A commission received from one Campanari may be mentioned as illustrative of the "middleman," a personage still railed against and apparently not to be got rid of. Campanari had been commissioned to execute the illustrations for a work on Italian Antiquities, but he employed Miss Turner to execute the drawings, some of which had to be done at the British Museum, others at the houses of owners of some well-known vases.
|EasyBib: Free Bibliography Generator - MLA, APA, Chicago citation styles||A biographical sketch by John van Wyhe Alfred Russel Wallace came from a rather humble and ordinary background.|
|How to Cite||Augustine Aurelius Augustinus was one of the greatest theologians of Western Christianity. In his day the Mediterranean world consisted of an Eastern, Greek-speaking half and a Western, Latin-speaking half, with different ways of looking at things, and different habits of thought.|
For those he paid her the munificent sum of eight guineas. Miss Turner was not allowed to put her name to the drawings, and was never even told the name of the book, and in fact never saw it printed. At last the usual fate befel Miss Turnor, and after a rather long engagement she married in February,Mr.
Thomas Testar, a gentleman of French descent; the name having originally been "Testard. We have seen how quickly Mrs. Testar became the favorite singer of Melbourne, and must briefly summarize her brilliant career45 Biography Templates & Examples (Personal, Professional) Biographical Sketch.
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Unless otherwise indicated, this biographical sketch was written by James E. Kiefer and any comments about its content should be directed to him.
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